Last edited by Sharan
Friday, May 15, 2020 | History

2 edition of Violin varnish found in the catalog.

Violin varnish

Joseph Michelman

Violin varnish

a plausible re-creation of the varnish used by the Italian violin makers between the years 1550 and 1750, A.D.

by Joseph Michelman

  • 94 Want to read
  • 40 Currently reading

Published by J. Michelman in Cincinnati, O .
Written in English

    Subjects:
  • Violin -- Construction.,
  • Varnish and varnishing.

  • Edition Notes

    StatementBy Joseph Michelman.
    Classifications
    LC ClassificationsML845 .M5
    The Physical Object
    Paginationxi, 185 p.
    Number of Pages185
    ID Numbers
    Open LibraryOL6498643M
    LC Control Number46005794
    OCLC/WorldCa603968

      I wanted a copy of William Fultons book Turpentine Violin Varnish, but could only find one rather expensive used copy. I decided to directly contact Mr. Fulton and through the help of VSA finally got a working email address. He has copies for sale. Cost is $ (USD) + $ shipping (This is t. Colours for Violin varnish by Pip Seymour: Book for luthier, varnish making. Brand New. $ From United Kingdom. Buy It Now +$ shipping. 16 watchers. Watch. GUM ROSIN, FOR VARNISH MAKING, ANY AMOUNT 25GKG, UK SELLER, FAST DESPATCH! Brand New. $ to $ From United Kingdom.

    Classic Italian Violin Varnish book. Read reviews from world’s largest community for readers.5/5. Behlen Violin Varnish is a balanced blend of Super Blonde Shellac Flakes, Gum Mastic and Gum Sandarac. Violin Varnish produces a tough, hard elastic, and water resistant finish. May be used for touch-up and finish repair. Directions: MIX WELL BEFORE USING. Violin Varnish may be sprayed, brushed or padded. Use thin multiple coats.

    Violin varnish is applied with a brush in two or more coats. It is composed of sun-thickened oils such as linseed or walnut, oxidized resins and added coloring matter. Good historic Italian varnish is highly translucent and soft, yet friable. The surface has texture and a delicate patina, not a new car gloss. The colors should be warm and rich. Brush on a coat of pine resin - walnut oil varnish. Brush on a coat of this varnish strongly colored with a brown "extract." Oil varnish dries faster in the sun. Rub carefully with a good rubbing compound on a felt pad. Polish with a "creme" violin polish on a paper towel. The back of .


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Violin varnish by Joseph Michelman Download PDF EPUB FB2

VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the Italian Violin Makers Between the Years andA. By JOSEPH MICHELMAN Published by JOSEPH MICHELMAN, Cincinnati, Ohio, U.

Introduction PUBLICATION OF THIS BOOK is approached with a little temerity/5(6). violin varnish turns redder as it becomes thicker, and finally moves into black, but varnishes made from modern paints have the potential to start as one color, and become opaque in that same color (becoming a full coat of paint) without changing darkness orFile Size: KB.

Violin Varnishes By Joseph and Reiner Hammerl Interesting information on resins and basic materials for violin varnish, and instructions for varnishing musical instruments.

A very useful book for those interested in varnish making and/or varnishing application technique. Violin Varnish - Kindle edition by Michelman, Joseph. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note /5(6). Violin varnish and how to make it by Violin varnish book, Georges.

Publication date Topics Violin -- Construction, Varnish and varnishing Publisher London: G. Foucher Collection facultyofmusic; toronto Digitizing sponsor MSN Contributor Music - University of Pages: Violin varnish book in The Strad, Joe Robson, February ‘Violin Varnish, Notes and Articles from the Workshop of Koen Padding’, by Helen Michetschläger.

It is not just the ‘secrets’ of classical varnish making that have been lost over the centuries; beyond the valuable contents of this book is an underlying understanding that is Padding’s great contribution to violin making: he gave us a.

Spirit Varnish & Extracts; Oil Varnish & Extracts, JOHA & Holtier; Spirit Varnish Silky MATTE Finish; Touch-up Markers; Natural Resins; Solvents; UV Lamp. Alizarin Color Concentrate Varnish $ Select options; Balsam Ground Kit $ Add to cart; Greek Pitch Violin Varnish $ Select options; Linox $ Add to cart; Stradivari Cochineal Varnish Kit $ Add to cart.

Internet Archive BookReader Violin varnish and how to make it Copy and paste one of these options to share this book elsewhere. Link to this page view Link to the book Embed a mini Book Reader 1 page 2 pages Open to this page.

Finished. Violin varnish and how to make it. Atlantic Violin Supplies, located in New Brunswick, Canada, is a violin supply business providing value and service since They carry a large selection of quality violins, violin parts, bows, construction woods, finishes, accessories, technical books, strings, and much more.

Welcome to “Ancient Alchemical Formula for Varnish” Violin Varnish Ltd. Linseed Oil Violin Varnishes Traditional Colors Grounds Handmade in small open kettle runs from traditional materials by a master Varnish maker.

Joe Robson 14 Prospect Street Trumansburg, New York What I use is an oil varnish based on a recipe that Joseph Michelman wrote about in his book “Violin Varnish”. His varnish is too soft for my taste so for years I used to mix it 50/50 with International Luthiers Supply’s Violin Oil Varnish.

I still use a lot of their clear varnish to. Violin Varnish. 1, likes 6 talking about this. VIOLIN VARNISH: articles and notes from the workshop of Koen Padding is a collection of his expertise on the subject of violin varnish. Join Daniel as he travels the WORLD exploring, helping violinists, violin makers and teachers, making and sharing videos that entertain and educate.

Go. Violin Varnish Color AV Daniel Violin. Loading Unsubscribe from AV Daniel Violin. Varnish a New Violin that Looks Old 3 - Duration: AV Daniel Vio views.

The book is arranged in three sections. The research results of Brandmair and Greiner are presented in this book in the articles “The Build-up of Layers in Stradivari’s Varnish” by Stefan-Peter Greiner (41 pages) and “Foundations of Classical Cremonese Violin Varnishes” by Brigitte Brandmair (91 pages).Brand: Brandmair Brigitte MIIC-Stradivari Varnish.

The violin should freely rotate in preferably a light breeze. It is important to keep checking the state of the varnish and the violin as a whole. A strong sun, especially without wind can make the violin very hot which can result in dehydration, cracking or blistering of the varnish.

Violin Varnishes: High quality oil and spirit varnishes by Joseph Hammerl (JOHA) and Hidersine. Varnish solvents/thinners. Highly recommended: If using these varnishes, we recommend purchasing the book Violin Varnishes by Josef and Reiner Hammerl, as it outlines the procedure for preparation of wood, proper application of varnish, handling the brush, number of coats, drying time and finishing.

It is clear that the ancient violin makers and painters employed oil-based varnishes. There is no ‘ideal’ varnish, however. Stradivari often varied its features depending on momentary taste or delivery terms; and it cannot be said that his varnish is ‘better’ than that of a well-preserved Amati.

VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the Italian Violin Makers Between the Years andA. By JOSEPH MICHELMAN Published by JOSEPH MICHELMAN, Cincinnati, Ohio, U.

Introduction PUBLICATION OF THIS BOOK is approached with a little temerity. After more Brand: Read Books Ltd.

Violin Varnish. 1, likes 6 talking about this. VIOLIN VARNISH: articles and notes from the workshop of Koen Padding is a collection of his expertise on the subject of violin ers: K.Violin Varnish: notes and articles from the workshop of Koen Padding.

Koen Padding was well-known through his company, Magister, which produced historically-informed varnish products for violins. After his death inI decided to collect and publish the information he had made available in his lifetime.

In the case of Parisian violin makers’ approach to varnish, evolution meant a return to the past. For those who experienced the outbreak of the French Revolution in to its final fatal gasps inthe world must have seemed a place of sheer chaos, and yet it was a time of productivity and evolution for some French luthiers.